For five decades, photographer Jan Staller has been capturing the eerie beauty of New York City's industrial landscapes. His latest book, 'Manhattan Project,' turns construction sites into otherworldly galleries, revealing the hidden poetry in concrete and steel.

The technical shift from his dreamy nightscapes to the hard-edged focus on building materials is not a departure but an evolution. These isolated pipes and beams, hanging mid-air like alien artifacts, challenge our perception of what is man-made and what is art.

Curator Brett Littman sees echoes of Edward Hopper and Chris Burden in Staller's work, highlighting the dual nature of beauty in construction: a paradoxical act of both destruction and creation. Despite the human presence being minimal, it’s still there, tattooed arms reaching for steel cables like sculptures come to life.

Staller’s minimalist aesthetic, transforming utilitarian objects into elegant line drawings, forces us to see the world through new eyes. Even in the messiness of construction, beauty is everywhere—waiting to be discovered by those who look closely enough.