As the 61st Venice Biennale opens its doors today, May 9th, a significant portion of participating artists and national pavilion teams have withdrawn from awards consideration in solidarity with the jury’s resignation. This move comes amidst growing tensions over Israel and Russia's inclusion, with critics labelling the initial exclusion as antisemitic.

Among those withdrawing are prominent names such as Fabric Aragno, Sammy Baloji, and the Belgium Pavilion team led by Miet Warlop and Caroline Dumalin. The Biennale has responded by introducing a new 'Visitor Lions' award, open to all national pavilions.

The decision to exclude Israel and Russia was based on their leaders being charged with crimes against humanity by the International Criminal Court (ICC). However, these exclusions have sparked controversy and legal challenges. The Biennale has since scrapped its traditional Golden Lion awards in favour of a public vote, aimed at maintaining inclusivity.

Artists like Carolina Caycedo argue that exhibiting alongside Israel’s pavilion creates an uncomfortable position of complicity. This withdrawal highlights the complex ethical landscape faced by cultural institutions and artists, particularly when addressing issues of human rights and political activism.

The Venice Biennale's official announcement acknowledges the challenges but insists on a commitment to inclusivity through its new voting system. Yet, the scale of this withdrawal suggests broader dissatisfaction with how the Biennale balances these often conflicting values.