How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations
To me, being a visual activist means illustrating stories that resonate deeply with me. It's the only way I can truly connect with others, says Portuguese artist and illustrator Fatinha Ramos. Based in Antwerp, she is known for blending analog and digital techniques to create emotive compositions.
Ramos collaborates with renowned clients including The New York Times and Tate. Born with osteogenesis imperfecta, her art practice began as a child’s hobby that stuck through years of hospital visits. Working as an art director for 12 years before striking out on her own, she now focuses on fine art, including anatomical glass sculptures based on brittle bone disease.
She aims to move away from the narrative that turns artists with disabilities into symbols of resilience. Creativity happens through limitations, not despite them, and art should broaden our view of the world – including how we see bodies.
Currently, she is only accepting select illustration clients as she focuses on her fine art practice.







