Amelia Cross blurs the lines between bespoke tailoring and trompe-lêÉo painting, creating a unique fusion of real and painted elements in her art. After studying at the London College of Fashion and Royal College of Art, she embarked on a project that combines intricate sewing techniques with illusionary painting.

Her “sewn paintings” are more than just visual tricks—they delve into the subconscious details we might overlook when observing others or ourselves. Cross is inspired by the limited view of commuters during rush hour, capturing the essence of individuality in urban settings through pockets and shoes.

At her solo exhibition at Nino Mier Gallery, she explores dress codes, uniforms, and the hidden layers that define our sense of self. The goal is to make viewers look closely, revealing secrets and messages within these disembodied forms. While it’s on view in New York, Cross’s work resonates universally as a commentary on fashion and identity.

‘If you’re in New York, don’t just glance; get up close and personal with the minute details that might tell more of a story than we initially see,’ she says. In her world, every hidden pocket and label holds its own narrative.