Gisela Colón didn’t plan to become an artist. She studied law in pursuit of protection, but her roots in Puerto Rico's farm life and unstable times shaped her creatively.

Now, her work at the Bruce Museum and Museo de Arte Contemporáneo de Puerto Rico showcases 'organic minimalism', blending natural materials with scientific processes to evoke landscapes and geologic time.

Colón’s sculptures, both wall-mounted pods and monoliths, transform as light shifts, inviting a sensory experience. They reference Puerto Rican sites and personal history, reflecting the island's enduring influence on her art.

Puerto Rico, home to figures like Bad Bunny, is gaining cultural traction. Colón sees this not as new but as recognition of its long-standing cultural contributions, likening it to the volcanic origins that shaped both the island and her work.

Her art, she says, is a physical extension of her body, embodying the transformative power of nature and time, hinting at an eruption of hidden energy beneath the surface.