Hayao Miyazaki, the mastermind behind some of Japan’s most beloved animated films, admits that making an animated film is a ‘dangerous’ process. In a 2002 interview with Midnight Eye, he revealed that his storyboards and films develop simultaneously. The meticulous planner within us all might be surprised to learn this, but such flexibility can lead to creative freedom.

From Spirited Away to My Neighbour Totoro, the stories grow with each drawn frame. This approach is both refreshing and reassuring for anyone staring at a blank canvas, wondering where to begin. Miyazaki describes his method as ‘dangerous’ but necessary – it’s how he pushes boundaries and keeps innovation alive.

The lesson here? Sometimes starting without knowing exactly where you’re going can be the most productive approach. It’s okay to improvise; in fact, it might just lead to something extraordinary. So next time you find yourself paralyzed by the fear of not having all the answers, remember: it’s part of the process.

Miyazaki’s way of working challenges us to embrace uncertainty and creativity in our own projects. Whether it's a digital illustration or a complex animation, starting with an idea and allowing it to evolve can lead to unique and compelling results. So draw that first frame and see where it takes you – who knows what might happen?