A recent publication by leading Duchamp scholar Francis M. Naumann explores the tumultuous relationship between the iconic artist and his Brazilian muse, Maria Martins. The book, titled Impossible: The Love Affair Between Marcel Duchamp and Maria Martins, and the Artwork It Inspired, delves into their eight-year liaison and its influence on Duchamp’s later works.

Naumann argues that Martins was central to Duchamp's emotional life and a key inspiration for his artistic output. However, he also paints her as a 'classic femme fatale', reducing her contributions to mere seduction. This reduces the complexity of their relationship and undermines Martins' own achievements in sculpture.

The author’s approach is criticized for its imbalanced narrative style, where Martins’ name is used casually while Duchamp receives formal treatment. Despite this, the book offers vital insights into Martins' work, revealing a rich creative exchange between the artists that extended beyond simple romantic entanglement.

Naumann's theories about Duchamp’s Étant donnés are compelling but his portrayal of Martins is troubling. While it highlights her importance as an artist and muse, it also risks oversimplifying the motivations behind their relationship to a series of seductive acts.