Jane Schoenbrun's Teenage Sex and Death at Camp Miasma is a rollercoaster of gory thrills and queer-coded joy, offering superfans a masterclass in nostalgia. The film follows Kris, a queer director trying to reboot a camp franchise tainted by its history, only for her psyche to intervene with a surreal fantasy adventure.

The movie's emotional depth lies in its attention to detail, from the David Fincher-esque opening sequence inspired by horror conventions, to the revival of matte painting techniques for dreamy landscapes. This isn't just a slasher flick; it’s a deeply personal exploration of teenage obsession and hidden desires.

For Schoenbrun, this project is about tapping into the intense emotions of growing up with forbidden entertainment. I Saw the TV Glow may have been her first, but here she delves even deeper into the psyche of a kid who couldn’t get enough of Friday the 13th and all its sequels.

The result is a film that balances fear with wit, ensuring it’s both chilling and funny. As Matte paintings add to this fantastical world, Camp Miasma becomes more than just another horror movie—it’s a journey into the mind of someone who can never quite let go of their childhood fears.